Mass Media vs Blogging: How Should Quality Content Be Defined?

As traditional media platforms lose both control and revenue to the web, the debate continues over what 'quality' content means, who can define it and who is capable of delivering it. There are those who ask, 'who cares?' because people are voting with their fingers as they sit in front of their computers. However, applications to graduate schools of journalism have never been higher. The recession may have something to do with that but it seems apparent that interest in communicating and the ability to get paid for doing so have grown apace. So, back to that quality question. Assuming quality does matter, both because consumers of information recognize quality in their own terms (so will follow only those outlets that provide it) and because as a civilization, standards are important for the furtherance of knowledge and wisdom, we should care. There is money to be made and opinions to be swayed.

Greg Satell of Digital Tonto offers his thoughts:

"Here we go again…

The NY Times’ new paywall has ignited once again the rancor between mass media and bloggers. I’m a blogger, but have spent a career in media and gained enormous respect for journalists, so I am sensitive to the merits and passions of both sides of the argument.

At the heart of the debate is one of the central questions of the Internet era: What makes quality content? That’s a tough one, but I’m gonna take a stab at it.


Reporting the News
Reporting is central to journalism. It has two main components: observing and verifying.

Observing is what drives newsroom costs. It takes a lot of money to send people to go where the news happens, whether that is to a war zone or to a city council meeting. Ironically, it is also a job that we can all do and Web 2.0 technologies are enabling citizen journalism as never before.

Verification is what separates professional reporters from the rest of us. They spend their careers building up sources. It takes countless hours meeting people and working the phone to confirm facts and tie up loose ends. It’s not glamorous, but it’s what makes news we can trust. Editorial scandals, thankfully rare, happen when verification breaks down.

So is reporting news a commodity as Cory Doctorow argues? Well, it is and it isn’t. Events happen. It rains or it doesn’t. Somebody is shot or they weren’t. Once facts are verified there is little utility in seeing them twice.

However, unearthing truths in a complex world is never simple or easy and those who do the hard work and put themselves in harm’s way deserve our respect.

Commentary and Analysis
I used to manage a very prominent editor who is an important voice in Ukrainian politics. He’s hardworking, intelligent and has a gift for language (and languages, he speaks four of them). He likes to tell his journalists, “write so that the sales and marketing guys can understand it.”

Before I got into senior management, I came up through sales and marketing and so was somewhat offended (which, I’m sure is one reason why he liked to repeat the phrase so often during our long whiskey drinking sessions). Now that my blog has gained a following among journalists, I take no small pleasure in telling him, “See? Anybody can write!”

Everybody, of course, has opinions and most people have expertise in one area or another. Top quality publications have a long history of soliciting content from non-journalists through columns and op-eds. So, in that sense, analysis is something anyone can do.

However, again, I would not be so quick to dismiss professional journalists. There is a wealth of tacit knowledge in newsrooms and a lot to be said for the accumulated wisdom gained devoting your life to a craft. I very much doubt that my blog would be nearly as successful without the years of exposure I’ve had to so many fine professionals.

There’s more to writing than typing.

Curation
“Curation” is fairly new to the media lexicon. So much so that when I mentioned it to an editor over a beer the other night he was prompted to blurt out, “Oh, is that what they’re calling aggregation these days?”

Yet, curation isn’t new. In fact, it’s been a core competency of editors for ages. It’s been their job to decide what gets printed, what’s important enough to make the front page of a newspaper or the cover lines on a magazine. They commission stories, hand out assignments and so on. All of that is curation.

Bloggers curate by choosing which sources to link to, algorithms curate by filtering which content has authority and influence. Editorial curation on the web, such as Real Clear Politics and the Atlantic Wire, has become an art unto itself.

The loss of their monopoly on curation is one of the things that scares professional editors the most. In the past, it was the source of their power and self esteem. They got to choose what we saw and heard. Now it’s a classic battle between man and machine. The humans are winning at present, but they’re understandably nervous.

User Experience
User experience is probably the greatest challenge for traditional journalists. They don’t have their own term for it, but they’ve practiced it for a long time. Structuring publications, writing headlines and cover lines and choosing design elements are all examples of how print editors craft user experience.

However, it is their wealth of traditional expertise that blinds editors to new realities. They are used to working in a world of hard and fast rules. Web usability, on the other hand, is an emerging science. We learning quickly, but still have a long way to go. The only certainty is false certainty.

A complete paradigm shift in editorial operations is required. The time honored convention of the Chinese wall needs to be rethought and reengineered. Traditional editors will have to learn to collaborate with others and integrate expertise from multiple domains to a much greater extent than they ever have before.

As much as I respect editors, this is a control issue. They need to get over it.

Nostalgia for the Craft
Another lament of editors is the decline of journalistic technique. With greater competition, newsrooms are being pared down. There are fewer reporters and skills passed down for generations are atrophying. Old timers shudder to think that the hard won competenciess they honed in pursuit of their craft are falling into irrelevance.

Well, nobody cares. The world changes and skills need to change too. We don’t kill our own food anymore and haven’t for a long time.. Very few of us could survive in the wilderness for a week without supplies from a grocery store. Microsoft Word and Excel have demolished our ability to spell and do basic arithmetic.

As some skills decline, others are coming to the fore. Editors need to learn how to effectively work with search engines to uncover sources, use Google Insights to understand the zeitgeist and utilize real-time audience data in order to serve their audience better.

Whining never solves anything. Keep the old skills that are still valuable. Learn the new ones you need to be successful. Get on with it.

Running a Meme Business
The debate between blogs and mass media is an important one. The reliability and quality of our information is far from inconsequential. However, histrionic rantings like this one in Ad Age don’t do anyone a service.

The simple fact is that successful media depends on successful memes. It shouldn’t be a surprise that digital memes travel differently than analog ones and it is illogical for editors to cheer mentions on the evening news while they decry links on web sites. You have to succeed in the world you live in, not one that you yearn for.

Media is, after all a business. Professional journalists need to be paid. It is therefore publishers’ primary responsibility to ensure that they learn how to generate revenue in a new digital reality. Unfortunately, as I’ve argued before, the NY Times paywall is a step backwards.

There is no worse betrayal to quality journalism than running a media business poorly